Hello guys.. maybe i update it witt every two days.. i'm so sorry but i found amazing picture that you can look it and amazed with this picture.. i'll show you Amazing Fire Players Photo that i found in kaskus..
Check It Out friend.. very tire if we only the text.. hahahaha
That friend.. you can look and try it at home.. hahahaha
Banned from his town because of his animality, a wolf man decides to make this segregation come to an end.
A film by François BARREAU, Marion DELANNOY, Claire FAUVEL, Rachid GUENDOUZE, Vincent NGHIEM, Benoit TRANCHET
--------
Eleanor
For Eleanor, the joy of living among other people is out of reach because of her extreme introversion, she shuts herself away in a depressive routine, with her cat as her only support, until the latter, hopeless for her, decides to leave home...
A film by Chloé BURY .
-------- Vésuves
Two men look at a woman. One wants her, the other one gets her.
A film by Kevin MANACH. (made in 2011 as part of an exchange trip to CalArts (California) by Kevin Manach, third-year student at GOBELINS, School of Image.)
Another hand-drawn feature length animated film from France ! LE CHAT DU RABBIN . I'll say it again: thank goodness the French did not get the silly memo (or they ripped it up) from Hollywood that decreed "2D is dead".
The film (directed by Joann Sfar and Antoine Delesvaux) is adapted from the graphic novel by Joann Sfar .
The studio Autochenille Productionwas launched in 2007 by Joann Sfar, Antoine Delesvaux and Clément Oubrerie with the aim to make "author-driven, challenging films to appeal to children and adults.".
The Rabbi's Cat was the company's first project. The production was made in collaboration with TF1 and France 3. It was pre-bought by Canal+ and CineCinéma and had a budget of 12.5 million euro. (17.5 million U.S. dollars)
One of the directors' sources of inspiration was American animation from the 1930s, and in particular from the Fleischer Studios, which Sfar described as characterized by multi-ethnical production crews and for portraying darker aspects of society, in cartoons such as Betty Boop and Popeye. In order to generate more personality for the drawn characters in The Rabbi's Cat, some of the scenes were staged in a Parisian suburb loft in the summer of 2008, with props and the cast fully costumed. As the actors performed and invented their characters' personal motion habits, the design team observed closely and drew what they picked up.