New AAU Animation Dept. blog - "Animation School Daily"

Brand spanking new blog from the classical Animation Dept. at the Academy of Art University :

Animation School Daily Blog 


It's just started, so bookmark and keep checking back for more posts soon.

First two posts have some beautiful drawings by AAU instructors:

This beautiful figure study in charcoal by Associate Director of 2D Animation (Onsite) , Diana Coco-Russell -

   (click on the image to view it larger)



and this terrific illustration -- "Young Walt" --  by Full Time Faculty (2D Animation - Onsite) Nicolas Villarreal -

     (click on the image to view it larger)

Great stuff , eh ?   More to come soon .   Drawings, departmental news, inspirational art for classical animation.

New blog: the DEJA VIEW by Andreas Deja

Here is some very good news for students and fans of classical hand-drawn animation.   Esteemed Disney animator Andreas Deja has started a blog :

The Deja View blog

Andreas says he will be covering topics such as:

"Scans of rough animation drawings, thumbnail sketches and character designs, mostly the work of Disney's Nine Old Men. The majority of this art has never been published.

I will write short comments and explain, what makes a particular piece unique.

Since I was lucky enough to hang out with Frank and Ollie, Mark, Milt, Eric and Kimball for many years, I will also tell you anecdotes andstories that they told me.  Some of them are pretty hilarious ! These guys were all geniuses, but it's so interesting to discover their human side. Trials and errors, triumphs and failures, professional jealousy and even insecurities were all part of their lives.

Occasionally I will post the works of other artists who inspire me, such as Heinrich Kley, TS Sullivant, Wilhelm M Busch , and others.  

You will also find some of my own stuff as well." 

One of the treasures Andreas has shared from his collection:



And on the blog he's offering commentary which illuminates why scenes like these are so masterfully animated. If you're a serious student of animation then go there now , bookmark it , and visit often.

Here's a photo of Andreas when he started at Disney in 1980 , training under the great Eric Larson:

Go to Andreas's blog now to read some of his thoughts on Eric's animation , complete with rare animation drawings from his collection.

"L'Illusionniste" an animated film by Sylvain Chomet

Last year I made several posts about Sylvain Chomet's new animated feature , The Illlusionist  ("L'Illusionniste") .    
Time to mention it again. 


Now that the film has received an Academy Award nomination as "Best Animated Feature Film"  and is in a somewhat wider release pattern I wanted to post the release schedule from Sony Classics.   Here is where the film is currently playing or will be opening soon:

http://www.sonyclassics.com/theillusionist/dates.html

If the film is playing in your city or close-by I highly recommend you see this sumptuously animated film.  Especially if classical hand-drawn animation is something you are passionate about then you  owe it to yourself to see and support this beautiful, poignant film on the big screen.

Here is the North American Trailer -

(I suggest that you switch the video settings to HD , watch full-screen).  

 Here is some artwork from the film:

Production Drawings & Backgrounds from The Illusionist


Pencil Tests from The Illusionist

Excellent review of the film by Mark Mayerson:

"The Illusionist" a review by Mark Mayerson

Roger Ebert's review:

"The Illusionist"  reviewed by Roger Ebert

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The North American (Sony Classics) website for the film:

http://www.sonyclassics.com/theillusionist/

The French (Pathé) website for the film :

http://www.lillusionniste-lefilm.com/#/home

Sylvain Chomet at the animation table -

Headless Productions

Headless Productions is a small independent animation studio founded by Adrian Garcia, Alfredo Torres and Victor Maldonado,  based in Barcelona.

Show reel:




A teaser for their latest project "I'm A Monster"

This is a piece developed to give an idea of the mood and look of the film and the characters.

A Day For Hand Drawn Animation - 2009

"A Day For Hand-Drawn Animation -2009"

(click on image to view it larger)

I posted about this last year , here:

http://hand-drawn-animation.blogspot.com/2008/11/day-for-hand-drawn-animation.html

with a follow-up post , here:

http://hand-drawn-animation.blogspot.com/2008/11/forum-for-classical-hand-drawn.html

This annual "Day for Hand Drawn Animation" is sponsored by Tahsin and Lâle Özgür at Maltepe University in Istanbul .

All devotees of hand drawn animation are invited to mark the day , regardless of their geographical location. (the internet creates such a small world).

This year Tash and Lâle write:

November 18th, a Day for Hand-Drawn Animation

A universe of dreams and fantasy that opened up with Steamboat Willie on November 18th, 1928, or even earlier, with Little Nemo in 1911. A universe wonderful for the spectator, and even more so for the artists and craftsmen.

The tradition is alive and well in 2009.

May we all celebrate, those of us who insist on keeping it alive, and those of us who never tire of watching!

-Tash & Lâle Özgür

I thought the point that Tash made last year about the distinction of "hand drawn animation" is important to repeat:

"We call it, in our quaint Oriental tongue, Çizgi Film Bayrami, which clumsily translates as "Line-Film Holiday" or something ... "Line-Film" being what we call this kind of film. English lacks a direct equivalent, and the more generic term "animation" might have even facilitated the CG takeover ("it's all animation, isn't it?")

Think of our concept of "line film" as closer to the French "dessin animé" ("animated drawing") - it's French, language of culture, so it probably has more weight in the argument. Which argument? Why, that hand drawn animation is a distinct art form, and not simply a step on the way towards something else. "

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Recently the veteran animator/designer/director Gene Deitch made a similar point in a speech prepared for the Xiamen International Animation Festival (Oct. 30th-Nov. 3rd) in China. Gene's speech is titled "Quo Vadis Animation?" The entire text of his speech is on Cartoon Brew:

http://www.cartoonbrew.com/ideas-commentary/gene-deitch-quo-vadis-animation.html

Here is the summary:

“The core of my speech is a pitch for the survival and eventual return to primary favor of “drawn animation.” (Don’t provoke me by mentioning the term “2D” in my presence!)"

Here is a video Gene made since his travel visa was not approved by the Chinese government , so he was not able to present the speech at the Xiamen International Animation Festival :

On the survival of Drawn Animation

My friend , animator Tashin Özgür has often made the point that the term "2D animation" is inadequate to use when referring to what we know as classical or traditional hand drawn animation. Writing of the annual "Day for Hand Drawn Animation" celebration that he and his wife Lale sponsor at Maltepe University in Istanbul , Tash says:

"We call it, in our quaint Oriental tongue, Çizgi Film Bayrami, which clumsily translates as "Line-Film Holiday" or something ... "Line-Film" being what we call this kind of film. English lacks a direct equivalent, and the more generic term "animation" might have even facilitated the CG takeover ("it's all animation, isn't it?")

Think of our concept of "line film" as closer to the French "dessin animé" ("animated drawing") - it's French, the language of culture, so it probably has more weight in the argument. Which argument? Why, that hand drawn animation is a distinct art form, and not simply a step on the way towards something else. "

Recently the veteran animator/designer/director Gene Deitch made a similar point in a speech prepared for the Xiamen International Animation Festival (Oct. 30th-Nov. 3rd) in China. Gene's speech is titled "Quo Vadis Animation?" The entire text of his speech is on Cartoon Brew:

http://www.cartoonbrew.com/ideas-commentary/gene-deitch-quo-vadis-animation.html

Here is the summary:

“The core of my speech is a pitch for the survival and eventual return to primary favor of “drawn animation.” (Don’t provoke me by mentioning the term “2D” in my presence!)"

Here is a video Gene made since his travel visa was not approved by the Chinese government , so he was not able to present the speech at the Xiamen International Animation Festival :

Tom pencil test (Tom & Jerry)

I haven't posted a classic pencil test in a while.  Here for your inspiration is a scene from Hanna Barbera's  MGM Tom & Jerry cartoons. Not sure which of the regular T & J animators did this scene :  Irv Spence, Ed Barge, Ken Muse, Ray Patterson. (or another ?)   Enjoy.

Dr. Lasseter tells it like it is

John Lasseter Q&A Any advice for aspiring animation student?

Milt Kahl Tribute - Videos online

(click image to see it larger)

In April the Academy of Motion Picture Arts & Sciences hosted a tribute to master animation Milt Kahl, which they called "Milt Kahl: Animation's Michelangelo" .

The Academy has now posted video excerpts from some of the panel speakers from that event, including John Musker, Ron Clements, Brad Bird, Andreas Deja, Floyd Norman, Richard Williams, John Pomeroy, and Alice Davis, among other notables.

Great memories of the master . Go watch the videos here, right now !  --- 

Milt Kahl Tribute Videos - Click HERE -

a little reminder of how amazing Milt's animation is: 

"On Timing" talk by Dick Huemer , Disney animator

Hans Perk has pulled another magical relic from animation's past out of his magic hat:

A c.1936 lecture given at the Disney Studio by animator Dick Huemer on Timing. Read it here ---

Dick Huemer lecture on Timing .

This stuff is gold. Read it . Then read it again. Apply. Repeat.

Actually I need to correct myself : I said it was a "relic" from animation's past, but that gives the impression that it's just a piece of history ... but as Hans Perk points out :

"I feel I need to point out that the things discussed here still hold true today, also in computer animation. A principle is a principle, whatever the medium. If we do not learn about the successes and failures of yesterday, how can we be sure we make the right decisions today? Don't mistake these documents for "funny old stuff." If you are employed in the animation business, know that they are part of the groundwork of what pays your salary today!"

This is the real stuff , friends. While you're there make sure you bookmark Hans' blog A-Film L.A. and check out the other Disney lectures and material he has posted on his blog.

Two relevant documents which relate to the Dick Huemer talk on Timing are the scene drafts for the short films "Mickey's Polo Game" and "Alpine Climbers" :

Mickey's Polo Game scene draft

Alpine Climbers scene draft

A scene draft was (is) a studio document prepared to show which animator was assigned to what scenes and the scene
lengths in terms of scene length footage (35mm motion picture footage) . A draft is made for each short or feature film .

Mickey Mouse - Mickey'S Polo Team
Uploaded by Lupus-novus

A Forum for Classical Hand-Drawn Animation

Animator Chris Doyle has started a new forum for the discussion of classical hand-drawn animation:

Classical Hand-Drawn Animation

Check it out.  Jump in and participate in the discussion. 

In one discussion related to the post down below about  "A Day for Hand-Drawn Animation" celebration in Turkey,  animator Tahsin Özgür makes a very good distinction about the place of hand-drawn animation:

"Today is Nov. 21st, three days already since the Hand Drawn Animation Day held at Maltepe University in Istanbul.

We called it,  in our quaint Oriental tongue,  Çizgi Film Bayrami, which clumsily translates as "Line-Film Holiday" or something ... "Line-Film" being what we call this kind of film. English lacks a direct equivalent, and the more generic term "animation" might have even facilitated the CG takeover ("it's all animation, isn't it?") 

Think of our concept of "line film" as closer to the French "dessin animé" ("animated drawing") -  it's French, language of culture, so it probably has more weight in the argument. Which argument?  Why, that hand drawn animation is a distinct art form, and not simply a step on the way towards something else. "

That is a good distinction and I wish the English language had such a term as "Line-Film"  or  "le dessin anime" to denote animated drawings.

I usually try to make the distinction by using the terms "traditional animation" or "classical animation" , or "hand-drawn animation". The one term I do not care for as much , but seems ubiquitous now is "2D Animation" . Animation can be completely CG , but also be 2D (such as vector-based animation in Flash or ToonBoom) .   For better or worse the Academy of Art University has designated our department as the "2D Animation Dept." , so that's the term I have to work with for now.  (hence, I am the Online Coordinator of 2D Animation at AAU ).

But what we're really talking about here is animation that is expressed through drawing.  That's not at all to disparage CG animation or Stop Motion puppet animation, etc.   However,  the ascendancy of CG animation has unfortunately led to the widely held  perception that Tash mentions:   that hand drawn animation is "simply a step on the way towards something else" rather than being a distinct art form in and of itself.